The recording ban ended in 1944 after Petrillo signed deals with the big labels and broadcasters, who promised to donate a percentage of record sales to special funds compensating union musicians for lost work. After the war, unions representing auto, railway, printing and other industries struck similar deals. The smaller labels that had begun popping up again in the late 30s quickly began giving out their own freebies, gaining valuable promotion, especially from smaller stations with limited record-buying budgets. In this way, small labels and small radio stations found a way to help each other and ensure the survival of rural “race” or country music and the regional ethnic music that major labels were by then neglecting.
Deram was the first in a wave of “progressive” labels that grew to include Harvest, Vertigo and Virgin. Midcentury music radio TV record player cabinet in mahogany Osvaldo Borsani attributed Rare and important polyvalent entertainment music cabinet, beautiful also … It’s impressive that we’re still talking about a sound setup that was created in the 1950s. The unbelievable longevity of the Decca tree recording technique is well deserved though. It’s simple, works with large musical arrangements, and offers a unique audio experience. In 1997 the Vocalion brand was brought back for a new series of compact discs produced by Michael Dutton, of Dutton Laboratories, in Watford, England.
Decca: The Supreme Record Company – The Story of Decca Records 1929-2019
Two years later, Philips sold 16% of Polygram in a deal that valued the record group at US$5 billion. In the mid-1990s, MCA Nashville Records revived Decca in the US as a country music label. In Britain and Commonwealth countries, London became a major licensing outlet for recordings sourced from American labels such as Cadence, ABC-Paramount, Atlantic, Imperial and Liberty.
Sonora Windup Antique 1915 Phonograph Record Player
Ringling’s association to Sarasota also led to major league spring training to come to Sarasota Florida. Theme by the BBC Radiophonic Workshop, and a 1965 single by Greek group Forminx, which included future electronic music star Vangelis. In 1998, as part of large-scale restructuring at Philips Polygram was sold to Seagram for US$10 billion. Seagram then combined Polygram with Motown and its other recording interests to create the Universal Music Group. Two years later Seagram was acquired by Vivendi for US$34 billion, becoming Vivendi Universal.
The first artists appearing on the national radio networks in the late 20s unsurprisingly played very safe, recognizable songs on their shows, in styles that weren’t exactly cutting-edge. Many of these, like bandleader George Olsen, already had reputations on vaudeville stages where they learned how to please audiences of average people anywhere. It’s hard to say whether they thought of any long-term potential to radio or just saw it as a higher-paying gig, since the fledgling networks at the time were looking for anything that could play to a mass-market. But any dream of radio being a permanent new gig for musicians was way off, though George Olsen was among many who translated brief radio success into a long career of steady live gigs. Although radio grew to employ over 1200 musicians in North America by 1935, that number began falling by the 50s and has been pretty much zero for decades now.
The fortunes of Paramount, “The Popular Race Record,” took a sharp downturn at the end of 1929, with the death of their most popular artist, Blind Lemon Jefferson, and the onset of the Great Depression. From then on, many issues were pressed in such small numbers that copies have not survived or remain unfound. The company struggled on until 1935, but its recording laboratory closed its doors for good in December 1933. The Gennett company produced the Gennett, Starr, Champion, Superior, and Van Speaking labels, and also produced some Supertone, Silvertone, and Challenge records under contract. The firm pressed most Autograph, Rainbow, Hitch, KKK, Our Song, and Vaughn records under contract.
Most costs were recouped after 5000 copies were sold, with the rest being pure profit. This was considered pretty good business, which accounts for why so many people with no prior interest in music, such as furniture companies and department store chains, started putting out records. In November 1930, the new budget-line, Melotone, debuted, entering a field of lower-priced electrical records, including Columbia’s Clarion, Velvet Tone, Harmony and the labels of the Plaza Music Company, such as Perfect, Banner, and Romeo. Brunswick also had a very successful business supplying radio with sponsored transcriptions of popular music, comedy and personalities. Another big success was blues band Ten Years After, led by guitar ace Alvin Lee, who recorded six LPs for Deram between 1967 and 1972.
Columbia’s ads soon claimed that the LP’s “advantages will eventually make it the only way to play music in the home.” Though LPs are still with us today, the fact is that ever since then, there have been multiple ways to play music in the home. RCA Victor set about creating one of these the minute they found out about the LP. Victor and its Red Seal brand had long dominated the high-margin classical music field, although CBS-Columbia started hitting back in 1940 with their new Masterworks imprint.
In the beginning, you really don’t have to invest hundreds of dollars in a vinyl collection or a new turntable. Start off small, learn where to find the best turntable deals, and grow your collection gradually, over time. Basically, collecting vinyl can be fun and rewarding, and vinyl does in fact offer the type of unique sound that you won’t get from a digital file, which tends to sound too clean to many audiophiles. These days, it’s totally possible to purchase a good quality model for under three hundred dollars. That is a major change considering that back when the gramophone was invented, only wealthy families were able to afford one for their home.
This label specializes in sonic refurbishments of recordings made between the 1920s and the 1970s, often leasing master recordings made by Decca and EMI. At the beginning, catalog numbers were grouped around artists, with the emphasis on female blues vocalists, and not released chronologically. Records to are generally reissues from the Black Swan label, to were not released. Starting from at the end of 1924, record numbers were released in a rough chronological order, with exceptions notably for spirituals. In 1993, Sony Music reactivated the OKeh label as a new-age blues label. Throughout the first year, in celebration of the relaunch, singles for G.
Decca’s excellent research and development teams contributed a number of other technological weapons, which led to the West Hampstead studios maintaining an armed guard. Send me exclusive offers, unique emehive gift ideas, and personalised tips for shopping and selling on Etsy. Sellers looking to grow their business and reach more interested buyers can use Etsy’s advertising platform to promote their items.
Around the time that World War I broke out, Barnett Samuel issued its latest innovation – the Decca Dulcephone, a revolutionary portable gramophone player. Before long, Barnett Samuel was the biggest record wholesaler and dealer in London. Thinking that sales of gramophone records had peaked, the surviving Samuel cousins who now ran the company decided the time was ripe to cash in. They floated the company on the London Stock Exchange and quit the board. The Decca Record Company stretches back to the late 1920’s, and built a reputation at the forefront of audio reproduction. Today, Decca is a label of great diversity, home to many of the world’s most distinguished artists, and with appeal to both specialist and mainstream audiences.
As musicians kept losing jobs even as the Depression wound down and the radio and record industries boomed, the American Federation of Musicians threatened to strike. Finally, in the summer of 1942, the AFM announced a total ban on all recordings, proclaiming that their musicians would no longer “play at their own funeral.” The ban lasted from August 1942 to November 1944. Record companies and radio stations reacted by recording as much new stuff as possible before the ban went into effect. This “big band” style grew out of early 20s jazz, and no doubt evolved partly from young musicians—white and black—patiently learning to play it off of their jazz records. Several bandleaders were gaining popularity in clubs, on record, on radio, on the charts, and perhaps most importantly, in jukeboxes, which had become ubiquitous by the early 30s.